Character Nines – Page 2 – Enneagram and Encaustic

MOANA, NINE

One part of Moana genuinely believes she will perform her duty, stay on the island, and lead her people as her father has done. The other part of her is desperate for adventure on the sea. Also, as a good chief she knows that the village is unsustainable. Rot ruins their plants and the lagoon has been fished out. When she finds the boats in the sea cave, she sees a solution and an escape rolled into one.

It’s in the nature of the genre that our heroine will be athletic, but I think we’re looking at something extra. Moana sails with no previous experience, shows physical daring and confidence, and is an excellent acrobat, which all suggest a Body Type. (Otherwise I would peg her as a Three. She has that indomitable will and lucky touch.)

She’s a Nine. It’s her misplaced dutifulness. A Nine will slide to Six in weakness. She meets her obligation to the village without passion. Only after she pursues her own way, sailing to return the heart and adventuring to find Maui, can she succeed. Even then, she needs to express herself physically: sailing among her people. I like it! She’s an enjoyable character who feels fresh, yet she hits all the appropriate beats and stays true to her Enneagram. Well done.

MATTHEW CRAWLEY, NINE

He’s a tough bird to pin down. At first Matthew is the usurper. Legally he is the heir to Downton, but the family doesn’t know him. Mary had plans, all ruined by the sinking of Titanic. Then he goes to war as an officer. He and Mary obviously have feelings for each other at this point because she gives him the fuzzy bunny for luck. But isn’t he also engaged to Lavinia? Lol, what a soap opera! And then he’s paralyzed, but then he recovers. Eventually, after many tribulations, he and Mary get married, only for him to die smiling in a car crash.

Does a character this chaotic have a clear arc?

Before the Downton writers put him through the wringer, Matthew’s a lawyer with no aspirations to the aristocracy. He lives with his mother, the Four. Wait, is he a Nine? That would explain why he and Robert, who only clash due to generational misunderstandings, basically feel the same way about the estate and duty. It would also explain why Mary is drawn to and repelled by him. Marrying a version of your father is a complicated prospect!

He and his mother are in that classic Four/Nine relationship where she experiences enough feelings for both of them, allowing him to keep a superior distance from all that emotional unpleasantness. It’s also why he can’t settle on a fiancee. Lavinia seems so peaceful and uncomplicated, right until she dies and dumps conflict all over Matthew’s lap. He loves Mary, but she’s an endless basket of conflict. When he finally stops dodging all the turmoil, he and Mary become a calm couple, bringing out the best in each other. Of course the writers must kill him at that point, lol. He’s gotten boring. (I think the actor ended his contract, but the writers were relieved, believe me! Heh.)

So, when all is said and done, Matthew ends up being a mini-Robert. Instead of a clash between the Earl and his heir — a more traditional plot choice — the show rolls Matthew around in a rain barrel. Hmph. Well, it worked for many seasons, although I will say that the racing car driver made for a more interesting Mary-husband. Sadly, I’m not sure he got enough screen time to develop an Enneagram.

Haha, I can’t even stay focused on Matthew during his own write-up. Sorry, my dear boy.

LORD GRANTHAM, NINE

My first instinct is that Robert is a Nine. He likes to keep the peace and avoid conflict. He also tries to be a fair manager of his household staff and his tenants. Every now and then he’ll go off, but mostly he likes it calm. Isis the dog is one of his coping mechanisms, and his ulcer is a sign that he doesn’t always succeed.

He kind of snaps into place, doesn’t he? I suppose he could possibly be a Two. All of the above traits could also fit. I’m going to say no, though. He attends and gives parties without a social person’s joy. His attitude is more one of duty. A Nine is always a good host, hoping to put people at ease and give them a good time. He’s also the only other family member who rides with the hunt.

Daughters who are an Eight, a Two, and a Three align with a Nine father, as well. Now I wonder about Cora!

ADA BROOK, NINE

A spinster, Ada lives on the charity of her sister, Agnes. She is endlessly kind, and Agnes protects her. Her simplicity is refreshing because she has no guile. She genuinely doesn’t conceive of being mean. Her family, her household, and her little dog, are enough to bring her joy.

She’s not a simpleton, though. She has a quiet savvy that lets her see that the cook needs help and that Marian is over her head in a romantic entanglement. Acting from gentility, she lets people follow their own will, though, rather than imposing her own. She’s a lovely, admirable character, but she could never survive in this world without Agnes’ intervention.

What a beautiful dynamic! What a fascinating sisterhood.

I want to say Two because of her deep heart connection to those she loves. She’s not particularly social, though. She participates in charity events and enjoys her family, but she doesn’t seek out a whirl. It’s quite possible she would be content to never leave the house.

Also, if Agnes is a Six, a Two is a rare designation for a sibling. Ah! Ada is a Nine. A Nine woman is a gentle, nurturing person. Her concern with justice — refer to the cook situation again — is the indicator. And a Six/Nine combination is a great symbiosis. Oh, The Gilded Age gets better on examination, and I already loved it.

SEAN THORNTON, NINE

A professional boxer retired due to tragedy, Sean seeks retreat and peace. He’s an easy Nine.

The Quiet Man’s story is simple: Irish-American comes to the Old Country to settle and make a new life in his ancestral home. When he sees a lass tending sheep, he falls for her, makes “pattyfingers in the holy water” with her, and arranges to court her. Her belligerent brother keeps them apart over spite about the property, until he consents and later regrets it, holding his sister’s dowry after the marriage. Sean must eventually demand the money and make peace with his brother-in-law, which leads to a town-consuming brawl between the two of them. In the end they live happily ever after.

We hit a wall, though, when we get to the scene of him dragging his wife by the nape of her neck. Is something about this moment particularly Nine-ish? His avoidance of conflict — taking the brother’s verbal ridicule, watching his volatile wife demand her things about her — might lead to a man who’s had enough and overreacts as a result. If he’s driven to take action, though, just give him a different action to take. The key to this whole movie is the moment when Sean pursues his wife to the train station and returns with her to town.

SHAUN/SHANG-CHI, NINE

Our protagonist, who will become a Marvel superhero in later projects, has a very strict father and a dead mother. (Thanks, Disney, for killing off another mom.) He leaves home in his teens, making a new life in America, and only returns when his father sends goons to attack him and steal his mother’s pendant.

So, strong and self-determined. He sets out with nothing. Of course he’s a physical creature, but, interestingly, I don’t think he’s a Body Type. Until called to fight he shows no interest in physical skills. His father, through abuse, coerces him to train. It’s not really something Shaun seeks from his own sense of self.

What is he, then? First, let me honestly own that I wasn’t impressed with Shaun. He was the weakest link in an otherwise good movie. The actor is wooden, or too stoic to be understood even by a camera, and I had a hard time engaging with his character. He’s not a Body Type, and he certainly isn’t a Head Type. Before his father comes for him, Shaun is a valet driver with little ambition or interest beyond karaoke night with his friend Katy. By default he becomes a Heart Type (or a Null).

I’m wrong.

You know what he is? A badly written Nine. He avoids conflict, which would be a defining trait. He’s a superhero, so they’ve put him in the traditional Nine silo, but given him none of the other characteristics of a Nine. Where is his lazy good humor? Where is his curiosity about people and the world? Where is his drive to maintain his activity level? Where is his diplomacy and righteous judgment? He decides his must kill his father, render a verdict, but it’s all so bland and contrived. It comes from the writers and not from a character drive.

I will call him a Nine, because that’s what the movie expects us to see, but I don’t think the showrunners or the actor have earned the number.

JULIA (1947), NINE

The title’s subject, the Bishop’s wife, Julia is universally loved. Like Mary Bailey, is she an everywoman? Or is she a real person with flaws?

She’s pretty and she’s gentle. She’s socially naive, though. When Dudley takes her to lunch, and the other ladies start to gossip about her, she is unaware. Social damage, to herself and to her prominent husband, is dangerous, yet because her intentions are pure she doesn’t see it.

She’s not particularly useful as a bishop’s wife. The community can look up to her kindness and gentility, but she’s not a saleswoman. Henry carries the whole weight of organizing his fundraiser. She longs for simpler times and a quieter home life. She’s not ambitious, which is a strength, but she’s also not in sync with her husband. She’s lovely, someone who attends functions at Henry’s side, but she’s not the manager.

She’s a Nine. She knows what’s right and she knows what she likes, but she won’t argue with anyone to make it happen. Avoid conflict, smooth the waters, and carry on. A Nine is an asset to an ambitious partner, but only in a background role. No leading, no fighting, and no pushing. It’s a perfect choice for Julia’s character.

GROOT, NINE

His relationship with Rocket indicates he’s a Nine, but let’s look at him in more detail.

Even though he’s a monosyllabic tree, he definitely fits the definition of Body Type. He’s quite competent as a superhero fighter, growing limbs and using his strength. He’s so cheerful about knocking people about with his extra-long arms.

He and Rocket are a symbiotic duo. Groot doesn’t have to be smart; Rocket is the brain. Rocket doesn’t have to be nice; Groot is the diplomat. In real life I’d want to break these two apart so each could grow the weaker side of their personality. Since they’re comic book characters, though, they are wonderful together. They literally speak a language only known to them.

Without this relationship, would I be able to identify Groot’s Enneagram? I doubt it. That they travel together is key. Their interaction is beautifully written and conceived.

MATTHIAS HELVAR, NINE

If Nina is a Four, Matthias is a Nine. That pull these two numbers share, a conflicted romance, is baked in. We can also see his Nine-ness in his skill: big man. He’s no Grisha, no rogue; he’s pure tank.

He’s basically a Hitler youth who grew up to realize the system he was taught as a child was horribly wrong. To go along unquestioning, seeking the camaraderie of the group and avoiding any conflict of dissent, is Nine. To realize the truth, to reexamine his principles, is also Nine. One of the only things that will move a Nine to battle is justice.

He’s written as stodgy and dense — a bit of a Buzz Lightyear. The joke’s often on him. Underneath, though, he’s a hero in a very traditional sense. He’ll never be the protagonist, as is common for a Nine, yet he has those traits. I think the author could’ve leaned in a little stronger on that aspect. His physicality is given its due, but his innate bravery is turned into comic relief a little too often for my comfort.

MAL ORETSEV, NINE

Mal is a man’s man. He can shoot, he can fight, and he can hunt. Women swoon.

Of course he’s a Nine. Physically, he dominates, even against grisha power. Conflict finds him, not the other way around. He wants a quiet life and ends up at the center of a maelstrom, valiantly heroic.

It also explains his relationship with Alina. He is her Enneagram strength number, she is his weakness number. This is why she’s drawn to him and he shies away from her.

In the first season of the show we don’t see how complicated their relationship is. They’re portrayed as hesitant romantics. In the book, though, they’re much more co-dependent. Because Alina has stuffed her sun summoning power, she’s psychologically and physically harmed. And Mal carries the weight of the trilogy (spoilers, darling), which shapes his character in ways the show has not yet addressed. Like Alina, the book version of him is not as likable. His Nine-ness, his reluctance to engage and shape his destiny, turns to nihilism, and the heroism a Nine carries is more of a burden for him. I like the actor and how he plays Mal; I hope the show can sidestep some of the darker aspects of his arc.