KA Byrnes – Page 36 – Enneagram and Encaustic

The Series Finale

Check the Critical Notes after the breakdown for my thoughts on the structure of the entire series. I figure out why I felt so dissatisfied when the season ended.

ONE

We pick up where the last episode left off. Wanda’s twins are bound by Agatha’s magic purple rope. The witches fight, and Agatha holds Wanda’s red power beams. “I take power from the undeserving,” she says. Wanda’s hand withers and turns black from the drain. Just when Agatha appears to be winning, Wanda hits her with a car that crashes through a house window. Looking through the broken glass, Wanda sees two empty boots under the car in a Wizard of Oz homage. (I laughed.)

TWO

Behind Wanda, White Vision floats down. He touches her cheek in what appears to be a tender moment, then squeezes her head in a vise grip. Our Vision rams him away. Wanda says to him, “I should’ve told you everything.” They’re a team, though. “This is our home. Let’s fight for it.” The Visions fly off in one direction, and the witches go the other.

THREE

Meanwhile, Pietro has Monica trapped inside his house, using his superspeed to corral her.

Christmas, 2021

A small Hobby Lobby box became a surprise Christmas present. I’m really proud of how it turned out!

So This Is Christmas?

Well, rats. The Hawkeye finale is not up to the standards of the last few episodes. It’s fairly generic, with obligatory fight sequences and stilted humor.

Ah, I just noticed. The episodes I liked were directed by Bert and Bertie. The ones I didn’t were directed by someone else. Fascinating. Let’s jump in.

ONE

Stepping into frame is a cane and a large body in a suit. It’s Kingpin. This is his meeting with Eleanor that was teased at the end of last episode. We get a little backstory: her husband owed a small fortune to Kingpin when he died. Eleanor, working with him all these years, has repaid the debt ten times over. Now that Kate is getting close to the secret, Eleanor wants out. Kingpin is not happy.

TWO

The video of this scene plays on Kate’s phone. We’re back with her and Clint at the kitchen table. Kate freaks — I need to talk to her — and Clint says, Your mom needs our help. When Kate tries to send him home, Clint declares that they’re partners. “Your mess is my mess.”

THREE

We’re back at Kingpin’s lair, or whatever. (It’s a small room surrounded by colored hanging beads. No idea why.) Maya arrives to apologize, declare her loyalty, and ask for time off. Kazi, who’s already there, translates for her. Slowly and deliberately, Kingpin signs to her, I love you. She signs it back. After she leaves, Kingpin says to Kazi, “Maya, my Maya, has turned on us.”

Moelk’s Adoration of the Kings

DUDLEY (1947), FOUR

A real angel would have no Enneagram, I suppose. Dudley, however, has many human traits. He feels romantic love for Julia. He takes a perverse pleasure in wrapping Henry around the axle. Even with the Professor, whose alcohol bottle Dudley magically replenishes, he likes confounding him and playing with his expectations. Dudley is an imp as a character archetype and, possibly, as a religious one. Henry has doubts, calling him a demon. I have doubts, too!

So, what Enneagram is the Mischief Maker? Dudley can ice skate beautifully, although I credit that with magic rather than a physical proclivity. Not a Body Type. He’s not particularly intellectual. His purpose on Earth, ultimately, is to save Henry’s soul. A different Enneagram, a Head Type, would argue with Henry and engage him in philosophy in order to guide him. Dudley, instead, goes right for the social levers.

In general, a Four is quite impish. It’s one of the things we love about them, that mischievous sense of finding buttons and pushing them, even their own. Dudley isn’t very self-reflective, though. It’s everybody else’s weaknesses he likes to manipulate.

I’m going to say that the writer purposely subverted the angel trope in order to create humor. It must’ve been funny in 1947, or it wouldn’t have become a beloved Christmas movie. In my lifetime, though, it’s gone from charming to drudgery. For me, The Bishop’s Wife is now unwatchable, and a lot of that centers around Dudley.

Ronin

Hawkeye is on a roll. This penultimate episode is delicious.

LEFTOVER NINE

A snowy, wooded landscape. Over, we hear Natasha’s voice from Black Widow tasking Yelena with curing the Widows of their mind control. 2018. Tucked in the woods, a small mansion.

Sneaking on the roof and entering are Yelena and a sidekick. Inside, they surprise Anna, another Widow. Pause, and they battle like crazy until Yelena can hold her down and hit her with the antidote. Turns out Anna wasn’t brainwashed, and all this is a chance for some exposition. Yelena has helped many Widows. “It’s hard watching them wake.” Anna asks, How is your sister? (Emphasize Yelena’s relationship to Natasha, for those not up on the latest Marvel storylines.)

Yelena steps into Anna’s powder room and splashes her face. A pixelated disintegration, and the room changes color around her. Out she comes to a different decor. Confused, she’s ready to attack. A man and child play quietly, and from the corner comes Anna. “You’re back!” (Another representation of what it felt like to return from the Blip. Wandavision did this, which I enjoyed.)

So now it’s five years later. Anna catches Yelena up on life. “I was in for five seconds and I’ve lost five years,” Yelena says. “I need to find Natasha.” A long beat as we remember that, if there’s been a Blip, Natasha is dead. The screen goes black, and the Marvel logo runs.

Poinsettia over Poinsettia

Remember last year’s poinsettia piece? It was a redo of a previous, failed encaustic. Well, it’s been redone again. The original poinsettia faded to white and turned brittle. Remnants of the old plant can be seen underneath the new leaves here.

I liked that former piece, but I’m learning the behavior of organic material in wax. Moisture doesn’t age well.

I won’t list all the possible metaphors this piece suggests, lol.

Echoes/Partners, Am I Right?

I’ve combined Episode 3 with Episode 4.

Echoes

Finally, Hawkeye hits its stride. We’ve got a real show here!

ONE

A child at school in 2007. It’s not Kate, it’s someone new. Her world is silent. As the teacher’s lips move, subtitles appear. Seeing the child writing in a workbook, the teacher comes over and taps it. We see her name on the teacher’s lips: Maya. She’s a good student.

Now we have sound. Shadow puppets. It’s little Maya signing with her dad. Their relationship is absolutely charming. (Kudos to both actors.) She asks about dragons, and why she isn’t in a school with kids like her. Dad is sorry, he can’t pay for deaf school. She must learn to jump between two worlds.

In judo class little Maya watches as a larger boy shifts his weight and scores a takedown. Her dad observes class, then says her uncle will take her home. We see a black suit coat and a hand that lovingly pinches her cheek. (Subtle Easter egg there, for anyone looking.) Maya steps onto the mat, and now we see she’s also a right leg amputee with a prosthetic. Watching for the shift, she takes down the bigger boy.

Time passage, and it’s the Woman In The Red Light from last episode. In case we had any doubts, we see her leg prosthetic as she spars in a boxing ring. (I already totally love Maya.) She’s fierce as she watches for the shift again.

On a motorcycle, she arrives at a warehouse. Sneaking, she can see Ronin through the window stabbing and attacking. She runs inside, but it’s too late. Among the people dying is her dad. They sign with each other, and she cries. “Fly away from here, little dragon,” he says to her.

Run title logo.

HENRY (1947), THREE

How can David Niven be unlikable, lol? A bishop, a revered community and religious figure, is played as a git. Bold choice.

He’s determined to build his cathedral. We all see the irony immediately: he thinks he’s glorifying God, but by ignoring his family and his flock he’s doing the opposite. Because of that tension he’s stressed all the time. What he’s feeling is unsustainable.

I want to say he’s a Three. His charm and success, the ease of his vocation, are all things that happened before this story began. All we see is his crisis. Still, though, a man in his position is gifted at the social skills. He’s greatly admired in the community, even now. Only his wife sees the first signs of fraying.

And one of the things that upsets him the most is his failure. He looks bad as a bishop when he can’t get the cathedral funding, and Dudley makes him look bad with his wife, which he hates. Threes, who succeed at so much of what they touch, really dislike the rare moment when they don’t.

Episode 9

It’s Christmas at Downton Abbey! Beautiful dresses and heartfelt acting compete with an overly melodramatic, season-ending plot. I love the characters, the setting, and the time period, but I don’t know if I’ll write up future seasons. The disordered structure of the series takes all the fun out of examining it.

ONE

Roll credits and theme music while a truck carrying a pine tree drives toward Downton. When the truck arrives at the front door, Thomas waves workers forward to untie the tree. Inside the house, Daisy totes cleaning supplies from room to room. She walks past the tree, now set up in the front hall, as O’Brien helps decorate it. People wander through and admire the tree. Now Cousin Rosamund and her lady’s maid approach the house in a chauffeured car, to be greeted by Mary. The Dowager pokes around the Christmas cards, tutting at whatever’s written.

End credits. Christmas 1919.

TWO

The family is dressed formally, and giving out presents. Mary hands Anna a small box and Cora says they all prayed for Bates today in church. As each servant is given a present from the family, filing up one by one, Hughes talks to Anna. “I wish I could tell you not to worry.”

Cut to downstairs where the servants enjoy the meal at their own table. Crackers pop, hats are worn, and cheering goes up. Rosamund’s maid makes a cheeky question about Bates, “the murderer”.

Upstairs, Sir Richard complains about the lack of service. Downstairs has their luncheon, the family has dinner, Mary says. It’s Christmas Day. Well, that’s not how he’ll run his household. Basically, the family exchanges gifts and barbs in equal measure.

THREE

In the hallway Mary comes upon Matthew hanging up the phone. Mr. Swire (Lavinia’s father) is ill — dying, and Matthew’s on his way in the morning. They discuss Bates’ trial. Some of the servants will need to testify.